For the experimental film, Aeterna, there was no on set sound recording. Everything auditory was created in post. Every part of the crew featured in the film, and, equally, we all played a role in the post-production.

I was part of a sound crew, featuring 2 other colleagues. We were all responsible for the sound design of the film and had to work collaboratively, which included more experience in foley, and a further development of my Pro Tools skills.

This film was also the first film I worked on that had a surround sound mix, a method that I would come to explore more thoroughly.